2nd March Down on the farm

 

I must admit I have never read Animal Farm by George Orwell, and to be honest is not going on my 'must read' list anytime soon despiteback on 2016  it beign voted the nations favourite book that people read st school.  But a general familiarity with the overall story meant that a trip to the lovely little theatre in Derby wouldn't stretch my limited knowledge too much.

After the extraveganza of Minority Report earlier in th week I wasn't sure if another trip so soon would prove a let down. The answer was no, it was just a very different experience. Whereas Minority Report was blinding neon and fantastic shape changing scenery, this was performed on a solitary backdrop that was stark, bleak, industrial, sinister. Even the music was monotonous and even toneless.

In Iqbal Khan’s production, the story is told by only six actors who each play multiple roles, each one representing one of the animals on the farm, animals that came to life via sound (grunting, squealing and baaing), characteristic movements (hoof stamping) and the wearing of suitably shaped wicker adorments on their heads. It could have come across as quite amateurish like an actors workshop and although it certainly was 'Life of Pi' standard it worked well.

The question as to whether Orwell's novella would still be as relevant today as it was when written is an affirming (and worrying) yes, with its themes of  community, equality and loyalty, being challenged by propaganda, dictatorship and fear still as present in todays society. At the core of the play is the statement that all all equal but some are more equal that others.Power it seems corrupts, whilst absolute power corrupts absolutley, something that we see all too often today.

And with a first act lasting 55 mins and second act running at a little over 30 mins, it also meant we were back home before 10pm as happy as pigs in mud. 



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