Known as an all out rocker that normally has thousands of people bouncing along with a mix of anger, frustration and passion, Sam Fender's most famous song has lyrics that go straight to the heart of the desperation many teenagers feel today, trapped in a downward spiral of drink, drugs and dead end lives.
This wonderful acoustic version sung by Fender and fellow North East songwriter, Holly Humberstone, throws an added layer of poignancy into the mix, that just tugs at the heart strings.
The song chronicles Fender's life at 17 when his mother, Shirley was afflicted with firbomyalgia and became depressed because she could no longer work after 40 years of service as a nurse. Having become the owner of her apartment at 19 and having never missed a day at work, the Department for Work and Pensions (the DWP mentioned in the song) began harassing her with letters and treating her unjustly.
Fender recalls: "That's when my rose-tinted glasses fell off." The song is a letter to his 17 year old self, explaining: "17 is
when all the challenges begin: you're not a baby, but you're definitely
not an adult able to solve the problem. And sometimes with everything going on around you feel as if you are going under."
I remember the sickness was forever I remember snuff videos Cold Septembers, the distances we covered The fist fights on the beach, the bizzies round us up Do it all again next week
An embryonic love The first time that it scarred Embarrass yourself for someone Crying like a child And the boy who kicked Tom's head in Still bugs me now That's the thing, it lingers And claws you when you're down
I was far too scared to hit him But I would hit him in a heartbeat now That's the thing with anger It begs to stick around So it can fleece you of your beauty And leave you spent with nowt to offer Makes you hurt the ones who love you
You hurt them like they're nothing (Oh, oh) You hurt them like they're nothing (Oh, oh)
See I spent my teens enraged Spiralin' in silence And I armed myself with a grin 'Cause I was always the fuckin' joker Buried in their humor
Amongst the white noise and boys' boys Locker-room talkin' lads' lads Drenched in cheap drink and snide fags A mirrored picture of my old man Oh God, the kid's a dab hand Canny chanter, but he looks sad
God, the kid looks so sad God, the kid looks so sad
She said the debt, the debt, the debt So I thought about shifting gear And how she wept and wept and wept Well, luck came and died 'round here
I see my mother The DWP see a number She cries on the floor encumbered I'm seventeen going under
I'm seventeen going under (Oh, oh) I'm seventeen going under (oh, oh) (Oh, oh) I'm seventeen going under (oh, oh) (Oh, oh) I'm seventeen going under (oh, oh) (Oh, oh) (Oh)
So today, TOM and I had a little jolly up to Bolsover Cruise club to book our next naughty-cal adventure, a week long trip on P&O Iona, one of the BIG boats, up to the fjords at the end of July to coincide with me finishing my stay here in Hucknall. Amazingly there were no issues, mainly because I knew when we wanted to go and what we wanted with regards all the actual booking, the other member of the party having shown little interest in anything to do with the trip. We even paid for it all up front or rather TOM did. All ready to leave TOM then asked for a cup of coffee before suddenly pulling out the Marella bochure and asking if he could book not just one, not just two but three connecting cruises in the Caribbean and then back across the Atlantic to Malaga for April this year. A total of 28 days. On his own. I am not sure quite what face I was wearing at the time but i suspect it quickly changed to my 'WTF' face. He had not mentioned a thing about this to me. And that...
When this was first played on the radio my reaction was...mmmmh. It didn't really grab me and I thought if it had been released by anyone else that everyone else's reaction would also have been....mmmmh. But the world and it's dog seemed to go crazy over it. This morning, only 9 days after the event, I finally saw the live performance of the song at the recently held Brits and wow does it give it a completely different perspective. Perhaps its because this time round I was able to concentrate on the actual song which is not always easy to do when driving. Plus the choreography felt fresh and exciting with faint hints of both Christine and the Queens regarding the actual moves and Future Islands with respect to the sound. Anyway just imagine what it might sound like withoutall the screaming pubescent girls almost drowning out every word. This is Harry Styles and Aperture
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